Showing posts with label Breaking Bad. Show all posts

Last Sunday the popular show Breaking Bad came to a very exciting end.

The last episode titled “Felina” was watched by 10.28 million people when it first aired, becoming the most watched episode in the history of Breaking Bad. The last episode also had the highest number of tweets: 1.24 million tweets from 601,370 while it aired on both coasts of the US. It hit a peak of 22,373 tweets per minute when it started on the East Coast. The name of the episode refers to the 1959 song "El Paso" by Marty Robbins, which is about an unnamed cowboy who falls in love with a woman called Felina. The cowboy gets shot by his enemies and dies.

During 5 seasons, 62 episodes, Breaking Bad portrayed one of the most iconic antiheroes of our times: Walter White. He was a chemistry teacher. He spent his days talking about the elements to high school kids who didn’t care about what he was saying. He didn’t make enough money, so he also had a second job as car washer. One day, he finds out that he has lung cancer. His health insurance’s very bad and it won’t cover his whole treatment (this entire show is a public condemnation to the United States’ health care system). He realizes that when he dies, he’ll leave his family with an astronomic debt. Desperate for money,  he decides to use his knowledge of chemistry to manufacture methamphetamines. He allies with a former student of his, Jesse Pinkman, and winds up making the purest methamphetamine ever made, with a distinctive color blue. His powerful product soon becomes very popular. He changes dramatically. By season 5, he’s a ruthless drug lord responsible (directly or indirectly, purposely or not) for the deaths of over 170 people.  

In the last episode, called “Felina”, Walter goes to see his former friends, Gretchen and Elliot Schwartz. He shows them the nearly 10 million dollars he made as a drug lord. By threatening them, he forces them to give that money to his son, making it look like a charitable donation from two liberals ashamed of their connection to Walter White. He even tells them that he hired the best assassins to make sure they comply, even after he dies (It turns out that the supposed assassins are Badger and Skinny Pete, two characters who wouldn’t actually kill a fly. This shows that Walker was only making an empty threat). Gretchen and Elliot believe him and it’s plain to see in their faces that they will do as told. So, Walter managed to provide for his family, which was his goal through the entire show.  

Our antihero also managed to save his wife from many years in prison. He visits his wife, Skyler, and gives her the location of two bodies the police is trying desperately to find (Hank and Gomez’s). She’ll be able to use that information to get a deal with the prosecutors. In addition, in what’s probably the most poignant moment of the finale, he finally admits to her what the viewers had been saying for a long time: that he didn’t cook meth for his family, but because he liked it, because it made him feel alive, and his ego was his big motivator.

Besides leaving tons of money for his family and protecting his wife from legal problems, Walter also succeeds in killing all the enemies he had left.

He first meets with Lydia Rodarte-Quayles (a methylamine supplier that threatened to kill his family) at a cafe under false pretexts and somehow changes her stevia packet with ricin, which she pours into her tea (It’s not actually plausible that he achieved this considering that Lydia was looking at him the entire time. But it’s worth suspending disbelief) . She’s later seen sick from the poison, but her death doesn’t happen on-screen.

However, what’s much more impressive is the way he kills an entire group of neo-Nazis (A group that had ripped Walter off and killed his brother-in-law). It’s a thrilling scene. Walter assembles some sort of devise with a M6 machine that he can control remotely with a Chinese made UN-4001 Central Car Lock System. He goes to the Nazi’s compound pretending he wants to make a deal, concealing the M60 in the trunk of his car. When he himself and Jesse Pinkman are safe in the ground, he activates the devise by hitting the trunk-opener on his car keys. The machine-gun begins firing everywhere, killing instantly most of the bad guys. Todd Alquist survives the shooting but is chocked to death by Jesse. Jack Welker, the leader of the group, survives the big shooting, but is murdered by Walter right afterwards.

In a very intense moment, Walter gives Jesse a gun and tells him: “Do it”. Walter obviously wants to die and wants Jesse to kill him. Our anti-hero purposely let Jesse’s girlfriend die at the end of Season 2 and poisoned Jesse’s stepson at the end of Season 4. And Walter very well knows that he deserves to die by Jesse’s hands (Bryan Cranston does a very good job conveying that emotion). Yet, Jesse refuses to be the one killing Walter, probably because he doesn’t want another death on his conscience. Jesse takes off driving away from the compound where he had been held captive. It’s a fitting sort-of-happy ending for that young man who never had the stomach for the drug business.

But Walter had already been wounded in the big shooting. Seriously injured, he walks to the compound’s meth lav. He caresses the equipment, marveling in the science of it. He probably recalls his glorious days of cooking meth. Finally, he succumbs to his injuries and dies just before the police’s arrival. 

In the very symbolic last shot of the series, Walt is lying flat on the floor of the meth lab with his arms spread out of his body, as if he had been crucified. He dies with a serene expression on his face.

Bryan Cranston is going to star as Dalton Trumbo, a blacklisted screenwriter, in a film which is to be his first after he wraps “Breaking Bad.” The casting was confirmed by a publicist for Cranston on Thursday. The film, “Trumbo,” is to be directed by Jay Roach, producer of “Meet the Parents” and the script is by John McNamara.

As a Communist Party member, Trumbo was among Hollywood 10: directors and screenwriters blacklisted during 1947 followed by refusal to testify on Un-American Activities in front of the House Committee.

Cranston will also be seen in “Godzilla” that’s being released in May. The fifty-seven-year-old, Cranston has been nominated for an Emmy Award for his extraordinary performance in series “Breaking Bad”.

In the next two weeks, viewers will have to kiss both "Breaking Bad" and "Dexter" goodbye.  With those two very popular shows ending for good, expectations are very high. There’s a lot of pressure on the show-runners and writers.  The end of a series is always a tricky thing, especially when talking about shows as Breaking Bad and Dexter, with so many fans. If a finale is done right, it’ll give the fans the bittersweet sensation of having witnessed the appropriate ending to a wonderful era. But if it’s done wrongly the show will only leave a great number of furious fans who will swear for the next decade in every existing forum. A perfect example of this is the panned finale of Lost. Who can look back fondly at the series knowing that nothing will be solved at the end? That nothing you watched will ever make sense?

Let’s take into account that, in this time and age, a series ending doesn’t necessarily mean that the show can’t get new fans anymore. Anybody can download an old series or buy the DVD. But will someone say “Hey, I wanna start watching Lost” after hearing half the planet talking about how awful the finale was?

Now, how to write for a show a finale that fills the internet with positive feedback? An ending that makes to every “Best Series Finales ever” list? Here are some suggestions:

  • Go for a teary goodbye:


It’s very moving when in a series finale the main characters must part in different ways. In the real world, life gets in the way and nobody is surrounded by the same people or live in the same place forever. And when a show lasts many years it makes sense that the main characters end up far from where they started from.

  • Bring back a beloved character that had left the show:


If a series last for many years (Like Dexter), there are beloved characters, once protagonists, who left the show. It’s always a good idea that some of those characters come back for the finale. The audience wishes to know what happened to them. Seeing them again warms the heart and puts a sweet flavor in your mouth.

  • Make the cycle start again:


Sometimes the best ending is a new beginning.

  • Don’t end it with a cliffhanger. 


  • Never end the show revealing that it was all a dream. 


There’s nothing more frustrating for the fans than that.

  • Better punishment or suffering for the bad guy:


 It’s always a good idea that the main villain suffers something worse than death. If a series lasts long, the fans sometimes spend years watching a villain torment the protagonist. If such villain simply dies, it doesn’t feel like enough.

Let’s hope the endings of Breaking bad and Dexter enter in the history of television as two of the best ones ever. Let’s hope those finales don’t give the fans something to bitch about for the next decades.

When it’s done right, parting is actually “Such a sweet sorrow”.
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